It's like that perfection thing, trying to be that thing you're not. You have to feel that discomfort and not try to get rid of it. Accept that aspect and get into it. Acknowledge those feelings and let them be. You are who you are.

Unlike a lot of actors, my father encouraged all his kids to go into show business.

I love John Irving's stuff. It's that marriage of comedy and tragedy. It's really terrific.

You kind of notice what's going on in your body, and you can kind of feel a certain tightening, or fear, which is something that, as an artist, I've kind of befriended. I can pretty much count on it for anything that I engage in - that thing like, "Am I going to be able to pull this off?" Well, what am I gonna do with this feeling? The more nervous you get, the more worried you get about it. So you pay attention to what you might need.

We love things that are convenient.

When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the first lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.

Like most of the movies I get involved with, I resisted as long as possible, I really try to figure out why I shouldn't do it and this one had plenty of reasons "not to do it".