I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.

As far as 3-D goes, I don't know if that will stay very long because things are moving so rapidly.

Work takes me away from my wife, Sue, and my life in Santa Barbara.

You prep, you prep, you prep. And on the day that you film, you let all of that go. I try to achieve emptiness as much as possible - the Zen thing - to let the deal come out of that nothing.

You always hear people say that having kids changes everything, but you can't fully realize it until you have children yourself.

My wife, whenever I'd go off to work and I'd be kind of anxious, she'll say, 'Remember, have fun.' Oh, I forgot, thanks for the reminder. Because sometimes we do forget. We take it all too seriously and there's a lot of joy to be had wherever you are.

I remember in one of my early films I had a drunk scene. It was Kiss Me Goodbye, with Sally Field, and I was playing this kind of nerdy guy who gets drunk and dances. And so I thought, "Oh well, I'll just get drunk and do the dance." And it was wonderful, but then I had the rest of the day, and the next day. So I learned that you don't really have to do the things that your character is doing. But us actors, we use something called sense memory. I've certainly been drunk before, and part of my job is to recall that without getting drunk.