Hope's interesting, isn't it? I can't turn hope off, it's hopeless.

I gotta take notes when things occur to me.

I found that photography was a great way of relaxing on the set.

I did [Michael Cimino] first movie, "Thunderbolt and Lightfoot," and I remember I was still in my twenties and very nervous, we're shooting up in Montana, and I'm thinking, "What the hell am I doing here? I don't feel anything like this part.

We're here for such a short period of time.

I've gone out of my way to not take baggage with me from film to film.

Like most kids, you don't want to do what your folks want you to do. You've got your own thing.