This is many, many years ago. It was shortly after "Starman" I think. I don't know how close I was to getting the part. I met with [director] Penny Marshall and that's one that I knew would be a hit. It just felt hit-ish. But it's like you go to a store and you see a jacket and you go "I love that jacket" and you try it on and it's too big or too small for you and it's the only one they have. For some reason that part just didn't fit me.

35 million people in the U.S. are hungry or don't know where their next meal is coming from, and 13 million of them are children. If another country were doing this to our children, we'd be at war.

I just find my creativity manifesting a bunch of different ways.

One thing I want to do is create something called Ring Around Congress. It would be a state deal and also a national thing, where the kids, as a field trip, will go and join hands around Congress and give the politicians report cards on how they're voting on hunger issues.

I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.

It used to kind of upset me when I'd be working on a part in my hotel room, and I'd get an idea for a song and find myself on the guitar for an hour when I should be working on my lines. But I've discovered that when I start to shake up my creativity it wants to be expressed in all kinds of different ways. They all kind of inform each other.

I don't really care about having more fame than I have.