I'm interested in power. I'm interested in the kind of polarities and equilibriums that take place within sexuality and philosophy and sociology. So in Versailles, in this type of setting, you have a place that is about absolute control, where everything has been thought about.

Art is something that happens inside us. We look at things in the world, and we become excited by them. We understand our own possibilities of becoming. And that's what art is.

I want my work to be accessible to people.

I don't like being naïve about the market, and I always try to make things as great as I can. Then I hope that there's an audience that enjoys them, and that hopefully those things get protected.

Even before I had children I wanted the intensity of my life to get greater. I wanted to feel things more strongly. I wanted my intellectual parameters to expand. But it comes back to your own desire to be engaged and to live up to your parameters.

If I try to articulate every little detail in a drawing, it would be like missing the forest for the trees, so it's just about getting the outline of the forest.

A photograph for me does not have a sense of spiritual seduction, it does not have an essence, that this is something that permeates and which is eternal through time.