I believe in advertisement and media completely. My art and my personal life are based in it. I think that the art world would probably be a tremendous reservoir for everybody involved in advertising.

Even before I had children I wanted the intensity of my life to get greater. I wanted to feel things more strongly. I wanted my intellectual parameters to expand. But it comes back to your own desire to be engaged and to live up to your parameters.

I'm interested in power. I'm interested in the kind of polarities and equilibriums that take place within sexuality and philosophy and sociology. So in Versailles, in this type of setting, you have a place that is about absolute control, where everything has been thought about.

I went to art school... but I worked at the Museum of Modern Art. I worked in fundraising at the information membership desk. I ended up, over a period of time, doubling the amount of membership revenue that came in through people entering the museum, so people would ask me to come and work for them.

I use printers to make prints of the images that I am creating. And I try to have that surface kind of replicated in the painting.

I want my work to be accessible to people.

A lot of my work is about sales. And it was about being independent from the art market.