I realized that even though I believe with my whole heart in the power of music... it didn't provide any solid answers on how to heal myself and heal others so that they could overcome what had happened to them. I realized that I wanted to take a deeper look at life in order to be some kind of truly healing force in people's everyday lives.

I do feel like it's so important not to take that for granted - that opportunity to share your ideas with intelligent, beautiful people.

I would go to bed every night and have dreams about having a time machine and somehow I'd have the ability to move through time and space freely, and save Anne Frank.

We can see an anthill or a roach or a flower or anything, but we have this frame where our mind recognizes an anthill and then moves on, without taking the opportunity to have the sense of awe that we could have if we really looked at it. The montage is about taking pieces of reality and rearranging them - creating new frames to make you have to stop and look at things in a fresh way. It's basically taking pieces of everyday reality and rearranging them to show people the magic that is inherent in all of these things already.

The music is supposed to be healing.

I love the idea of a record containing an entire universe; where the sounds span decades of recording from all over the world and all sorts of different sources.

I think the songs I was writing after Aeroplane were full of a lot of undealt-with pain that was just a little too big... the issues seemed too large for me to confront intuitively through songwriting. I kept pushing it and pushing it. There are so many issues about being human and why people inflict pain on each other. There were seeds of all these things I hadn't dealt with. With just the personal issues, I felt I was in over my head, but then to write about it... To write you have to have at least a little bit of confidence you know what you're talking about.