Even our concepts about romantic love, I think, are destructive; treating people as property is destructive; being jealous of other people is destructive. You know, being jealous is a perfectly natural thing to feel, so it's not about suppressing jealousy, but learning to come to terms with it and to recognize its destructiveness and then to transform it.

I love the idea of a record containing an entire universe; where the sounds span decades of recording from all over the world and all sorts of different sources.

Even our concepts about romantic love, I think, are destructive; treating people as property is destructive; being jealous of other people is destructive. You know, being jealous is a perfectly natural thing to feel, so it's not about suppressing jealousy, but learning to come to terms with it and to recognize its destructiveness and then to transform it.

When so many of our dreams had come true and yet I still saw that so many of my friends were in a lot of pain... I saw their pain from a different perspective and realized that I can't just sing my way out of all this suffering. I have to try to understand human nature and myself and the nature of suffering and a lot of these other issues on a deeper level.

Typically there are little fragments of specific words and images swimming around in my mind, and then at some point, I'll sit down with the guitar and everything will fall into place. It's like your brain is a drain with a bunch of words and images dropping into it, swirling around. The drain is stopped up, but you can feel these things dropping into it. Then at some point, someone comes along and pulls the plug out of the drain and everything comes together in the song.

My songs pretty much revolve in my brain most of the time - usually, whatevers coming next.

I would go to bed every night and have dreams about having a time machine and somehow I'd have the ability to move through time and space freely, and save Anne Frank.