I guess my path feels sort of different now... I don't know what's going to happen, but I certainly want to make music a bigger part of my life in the future than it has been for the last couple of years.

When I tried to grasp at either what I love or what I hate, I destroyed the very ability of being able to really penetrate the essence of either. By trying to understand it, I would just crush it.

You know, you struggle and cry and moan and thrash around and beat your head against the wall... and then you realize that you're just yourself, and you come to terms with yourself struggling. There are some serious, serious things to deal with in terms of the immensity of the suffering that we humans create for ourselves and for the world around us.

We can see an anthill or a roach or a flower or anything, but we have this frame where our mind recognizes an anthill and then moves on, without taking the opportunity to have the sense of awe that we could have if we really looked at it. The montage is about taking pieces of reality and rearranging them - creating new frames to make you have to stop and look at things in a fresh way. It's basically taking pieces of everyday reality and rearranging them to show people the magic that is inherent in all of these things already.

Even our concepts about romantic love, I think, are destructive; treating people as property is destructive; being jealous of other people is destructive. You know, being jealous is a perfectly natural thing to feel, so it's not about suppressing jealousy, but learning to come to terms with it and to recognize its destructiveness and then to transform it.

Often, everywhere we look, we seem to find obstacles and facades and smokescreens, so it was really nice to find things in the world that actually spoke to me. And I felt like Eastern thought really spoke to me. Because it isn't trying to cover up the pain in life; it's trying to deal with it and overcome it in an intelligent way. I think the reason I love Eastern thought so much, and mysticism in general - but especially Buddhism - is because it seems to me an attempt to look life squarely in the face, as it is.

I think the songs I was writing after Aeroplane were full of a lot of undealt-with pain that was just a little too big... the issues seemed too large for me to confront intuitively through songwriting. I kept pushing it and pushing it. There are so many issues about being human and why people inflict pain on each other. There were seeds of all these things I hadn't dealt with. With just the personal issues, I felt I was in over my head, but then to write about it... To write you have to have at least a little bit of confidence you know what you're talking about.