I do feel like it's so important not to take that for granted - that opportunity to share your ideas with intelligent, beautiful people.

Typically there are little fragments of specific words and images swimming around in my mind, and then at some point, I'll sit down with the guitar and everything will fall into place. It's like your brain is a drain with a bunch of words and images dropping into it, swirling around. The drain is stopped up, but you can feel these things dropping into it. Then at some point, someone comes along and pulls the plug out of the drain and everything comes together in the song.

We can see an anthill or a roach or a flower or anything, but we have this frame where our mind recognizes an anthill and then moves on, without taking the opportunity to have the sense of awe that we could have if we really looked at it. The montage is about taking pieces of reality and rearranging them - creating new frames to make you have to stop and look at things in a fresh way. It's basically taking pieces of everyday reality and rearranging them to show people the magic that is inherent in all of these things already.

My songs pretty much revolve in my brain most of the time - usually, whatevers coming next.

When I tried to grasp at either what I love or what I hate, I destroyed the very ability of being able to really penetrate the essence of either. By trying to understand it, I would just crush it.

I guess my path feels sort of different now... I don't know what's going to happen, but I certainly want to make music a bigger part of my life in the future than it has been for the last couple of years.

For me, there's a lot of intrinsic mystery and power in folk music, but a lot of people don't perceive that music from around the world as something that fits into their lives or their psyche in any way. So I tried to present it in a different way to give it more of a chance to sink into people's heads.