When somebody asks me "What are your comic books about?" or "What are your songs about?" there is no answer and I feel like an idiot not having an answer, like I don't know what I am making. I really do know what I'm making, but it's not one thing, it's everything I like, and I see no reason to leave out any of that.

Unfortunately most easily-digested entertainment has as much actual content as a Spongebob Squarepants episode, so the trick is to try to fit actual nourishing content into enjoyable entertainment.

The funny thing is that some reviews are published in magazines and websites that are seen by millions of people, and other reviews are in very small publications or less popular websites, and you just have to be lucky to have the good reviews land in places where more people see them, and bad reviews land in places where they will be less seen.

If I like hardcore straight-edge punk music, gentle psychedelic folk music, gangster rap, indie-rock with a lot of guitar pedals, and I find inspiration from all these things in different songs of mine, shouldn't I be allowed to make any of this kind of music that I want? And it's the same for the comic books, why should I only make autobiographical stories? Or only political stories? Or only superhero stories? Or only comedy stories? I am a bit creatively desperate, when I sit with a pen and paper I am desperate for ANY idea that makes me excited, I don't care what kind of idea it is!

I usually think of art as having a measurable content of nourishment, whether factual or emotional or whatever, and I try to make sure that whatever I do has as much nourishment as I can muster.

What can you think when one review says "this album is brilliant, and all the songs flow into the utmost brilliant song 'The Upside-Down Cross'" then another review says "this album is brilliant, except for that horrible and pointless song 'The Upside-Down Cross'," and another review will say "Jeffrey really sounds confident and relaxed on this new album", the next reviewer says "Jeffrey sounds more depressed and awful than ever" - these totally contrasting reviews happen all the time!

There are people who are great technical players like Eric Clapton, and there are people who are great intuitive songwriters like Daniel Johnston. There are sometimes people who are great at both the technique and the creativity, the two sides of the coin, maybe Jimi Hendrix.