I think the benefits are tremendous, and the power of accessibility in art is one of it's most explosive and insidious attributes.

I never felt like I had a surface image to rely on that people would like - I always felt like my music would not be very fancy music, my voice is not very fancy, there is nothing hiding me from the audience.

There are people who are great technical players like Eric Clapton, and there are people who are great intuitive songwriters like Daniel Johnston. There are sometimes people who are great at both the technique and the creativity, the two sides of the coin, maybe Jimi Hendrix.

I don't think talking about myself making songs is a very interesting topic, there are so many other more engaging things to think about and write about.

If I like hardcore straight-edge punk music, gentle psychedelic folk music, gangster rap, indie-rock with a lot of guitar pedals, and I find inspiration from all these things in different songs of mine, shouldn't I be allowed to make any of this kind of music that I want? And it's the same for the comic books, why should I only make autobiographical stories? Or only political stories? Or only superhero stories? Or only comedy stories? I am a bit creatively desperate, when I sit with a pen and paper I am desperate for ANY idea that makes me excited, I don't care what kind of idea it is!

What can you think when one review says "this album is brilliant, and all the songs flow into the utmost brilliant song 'The Upside-Down Cross'" then another review says "this album is brilliant, except for that horrible and pointless song 'The Upside-Down Cross'," and another review will say "Jeffrey really sounds confident and relaxed on this new album", the next reviewer says "Jeffrey sounds more depressed and awful than ever" - these totally contrasting reviews happen all the time!

I think the benefits are tremendous, and the power of accessibility in art is one of it's most explosive and insidious attributes.