I think when I was a younger actor, I did carry that stuff home. When I did ...And Justice For All, I was afraid to drop the character. But when you get older, you learn to go, "Okay, that's it. Let's go have dinner."

I remember I was standing next to Timothy Dalton in Brenda Starr, and he turned to me and said,"Oh, I think I've just been tagged to play James Bond." I'll never forget that. I went, "Oh! Okay. Well, good for you."

I thought Pan's Labyrinth was one of the greatest films I've ever seen, just pure artistry. Guillermo Del Toro is just really something, this guy. And he's a real mensch: down-to-earth, funny, huggy, and terrific.

I get a singular comment that's very revealing: "I didn't know what to expect." Every time I hear that I think it's really just code for, "I wasn't sure I'd be comfortable with you in this role," which I understand coming from Oscar Bluth and Hank Kingsley and whatever. But I think there's a degree of, "Oh, okay, this is how it is." Then almost always people tell me that they love it and then people start talking to me about their families, whether it's transgender issues or not.

Guillermo del Toro. He's in his pure artist's stroke. He's just hitting it out of the park. I would go anywhere to work with him. He's a real artist.

The Larry Sanders Show сhanged my life. I am so thankful that - I mean, go figure. Most people are lucky to get one good series, but I got two ground-breakers. I just knew when I read that "Hey Now" script that something was afoot. Those were seven of the greatest years of my life. I learned so much, and it affirmed everything I thought comedy was. It was really a tremendous experience.

I had a lot of questions where I had to be very frank and clinical. I had to go to school on it about what it could mean physically to be trans and the options that have to be weighed and considered. But I love that. Exploring that opens my worldview in ways that I would never be able to try.