Mel Brooks and David Zucker - there are very few people who know silly, and they're usually hugely intelligent, because you have to be intelligent to get it. Like the Marx brothers. I love it.

That scene that I have with Brad Pitt in Meet Joe Black is one of my favorite scenes that I've ever done. He's very modest. He's a real hardworking actor. I think he was going through something difficult at that time, and he never brought his personal stuff - not once! - on the set. He was a real pro. I remember doing that scene, and as I was acting, I thought, "I understand why this guy's a movie star." Because there was just something that he did when the cameras rolled. There was some kind of energy that was really magnificent, a real aura about him.

My education was doing good plays and also stinkers. When you do a stinker, you learn how to act. I like having to audition. It's nice to do rehearsals. But it's with an audience that you get to love it!

I came to New York late; I was already past 30

That's an actor's life. I thought Meet Joe Black was gonna be one of the big changes for me, and it was gonna be a runaway hit - and it wasn't. And with Mr. Mom, I said, "There's just no way." And it turned out to be a huge hit.

Probably because I'm bald. Don't the bald people always play doctors and principals? Yeah, isn't that funny? And lawyers. A lot of lawyers and judges.

Saturday The 14th movie is a cult classic. And you know another one like that that I did, is Three O'Clock High. People come up to me about those two all the time. Film schools even study Three O'Clock High. Shot for shot, it's a textbook.