I never want to have that on my shoulders - I never want to be number one on the call sheet. That's a life that I don't want. I mean, I'm not ducking the responsibility.

The most telling one was recently on a plane. This guy very dressed up and formal - the watch, the shoes, the cufflinks, the whole nine yards - he came at me, and I thought I was going to get nailed. But he literally came up to me and just gave me a hug and said, "Thank you for introducing me to a subject that I didn't know anything about." In those moments it always clicks for me what we're doing here.

I never want to have that on my shoulders - I never want to be number one on the call sheet. That's a life that I don't want. I mean, I'm not ducking the responsibility.

When I was a young boy in San Francisco, I remember being sent home - I was playing with a friend. And I remember the mother saying, tell Jeffrey to go home. And I said to the girl, I said, why? She goes, my mother says that you're the people who killed Christ.

My part had three lines. I said, You look wonderful, sir, three times. All my friends said, Do not take that role - and do not understudy. You'll regret it the rest of your life. I did both of those things, and I've never regretted it once.

Guillermo del Toro. He's in his pure artist's stroke. He's just hitting it out of the park. I would go anywhere to work with him. He's a real artist.

I get a singular comment that's very revealing: "I didn't know what to expect." Every time I hear that I think it's really just code for, "I wasn't sure I'd be comfortable with you in this role," which I understand coming from Oscar Bluth and Hank Kingsley and whatever. But I think there's a degree of, "Oh, okay, this is how it is." Then almost always people tell me that they love it and then people start talking to me about their families, whether it's transgender issues or not.