The Emmy should be an ensemble award, too. I kept howling at everyone else's performances.

I remember going to Bob Preston's dressing room because I was losing a laugh - as you do in a long run. He said, 'Give me the script. That's where you're going off the road.' That's comedy. It's never the line itself; it's in the foundation.

Guillermo del Toro. He's in his pure artist's stroke. He's just hitting it out of the park. I would go anywhere to work with him. He's a real artist.

David Zucker was great! Those guys are funny. I mean, they are funny. There's a wonderful thing about doing that kind of work like Superhero Movie: You have to be real, but you also have to get the laugh. There you are, your director and the producers are right there at the monitors, and you either get the laugh or you don't. And so you just do it until you get the laugh.

I thought Pan's Labyrinth was one of the greatest films I've ever seen, just pure artistry. Guillermo Del Toro is just really something, this guy. And he's a real mensch: down-to-earth, funny, huggy, and terrific.

The most telling one was recently on a plane. This guy very dressed up and formal - the watch, the shoes, the cufflinks, the whole nine yards - he came at me, and I thought I was going to get nailed. But he literally came up to me and just gave me a hug and said, "Thank you for introducing me to a subject that I didn't know anything about." In those moments it always clicks for me what we're doing here.

And I'd watch George C. Scott from backstage. He was one of my mentors.