On the other hand, we don't come to work with all of these social goals, nor are we directly trying to change the world and all of that. Our job is that we have these human characters, and it's our responsibility to play them truthfully and as human as possible. Jill has cast this impeccably. These actors nail it, even the non-Pfeffermans. It's ridiculous.

My part had three lines. I said, You look wonderful, sir, three times. All my friends said, Do not take that role - and do not understudy. You'll regret it the rest of your life. I did both of those things, and I've never regretted it once.

I think when I was a younger actor, I did carry that stuff home. When I did ...And Justice For All, I was afraid to drop the character. But when you get older, you learn to go, "Okay, that's it. Let's go have dinner."

I'd always had a crush on Teri Garr - and still do. I've always adored her. I mean, who doesn't think about Teri in Young Frankenstein? I mean, come on! It makes you talk in that accent for weeks.

I get a singular comment that's very revealing: "I didn't know what to expect." Every time I hear that I think it's really just code for, "I wasn't sure I'd be comfortable with you in this role," which I understand coming from Oscar Bluth and Hank Kingsley and whatever. But I think there's a degree of, "Oh, okay, this is how it is." Then almost always people tell me that they love it and then people start talking to me about their families, whether it's transgender issues or not.

And I'd watch George C. Scott from backstage. He was one of my mentors.

David Zucker was great! Those guys are funny. I mean, they are funny. There's a wonderful thing about doing that kind of work like Superhero Movie: You have to be real, but you also have to get the laugh. There you are, your director and the producers are right there at the monitors, and you either get the laugh or you don't. And so you just do it until you get the laugh.