I like working on one - camera. This is not false modesty, but I don't think I'm very good at three - camera. And it's not that I'm nervous, but I just sort of feel like my collar is too small, or my clothes don't fit. I don't understand what that is. And I don't understand the format: There's an audience in front of you that you're playing to, but there are also these cameras.

You push a button and it goes all over the world and on Sunday people are saying, 'Oh, I binge watched all 10 of them. Where's more?' and you go oh, the world has changed. It's not my dad walking to the television set and turning a knob to Ed Sullivan.

I like working on one - camera. This is not false modesty, but I don't think I'm very good at three - camera. And it's not that I'm nervous, but I just sort of feel like my collar is too small, or my clothes don't fit. I don't understand what that is. And I don't understand the format: There's an audience in front of you that you're playing to, but there are also these cameras.

Saturday The 14th movie is a cult classic. And you know another one like that that I did, is Three O'Clock High. People come up to me about those two all the time. Film schools even study Three O'Clock High. Shot for shot, it's a textbook.

I thought Pan's Labyrinth was one of the greatest films I've ever seen, just pure artistry. Guillermo Del Toro is just really something, this guy. And he's a real mensch: down-to-earth, funny, huggy, and terrific.

I think your resources are feeling. Your resources are depth. Your resources are learning. Your resources are touching and feeling. And for me, sobriety helps and aids all of that.

Garry Shandling in particular - really had the concept. He really knew it, and it was done so lovingly. He would go beyond the joke, and sort of go into the character. His "funny" was very different, and I really appreciated it.