I loved Hank Kingsley. He was very real to me. There was just something about that character. I really believed him. I didn't think he was a buffoon. I understood the inner workings of him, so I sort of felt sorry for him, the poor guy. He was very important to me.

Am I a star? That's a different thing. I mean no, I'm not in People magazine. But I must be doing something right, because I've done it for 50 years! And I like doing what I do.

I loved the gentlemanly way they treated each other. It was unlike anything I was used to. I started helping them strike the set and, at 11, began taking acting classes privately.

Mel Brooks and David Zucker - there are very few people who know silly, and they're usually hugely intelligent, because you have to be intelligent to get it. Like the Marx brothers. I love it.

With Hellboy I am doing a comic-book movie. That's what's so great about being an actor: You get to do Meet Joe Black, and you get to do Arrested Development, and then you get to do Hellboy and Eloise, and The Sponge Bob Square Pants Movie. It's great. You get to play the field.

Certainly the principal has to be bald. Certainly the school counselor has to be bald. And the driver's ed teacher. And maybe the wood-shop teacher. Mine was.

I get a singular comment that's very revealing: "I didn't know what to expect." Every time I hear that I think it's really just code for, "I wasn't sure I'd be comfortable with you in this role," which I understand coming from Oscar Bluth and Hank Kingsley and whatever. But I think there's a degree of, "Oh, okay, this is how it is." Then almost always people tell me that they love it and then people start talking to me about their families, whether it's transgender issues or not.