Probably because I'm bald. Don't the bald people always play doctors and principals? Yeah, isn't that funny? And lawyers. A lot of lawyers and judges.

Mel Brooks and David Zucker - there are very few people who know silly, and they're usually hugely intelligent, because you have to be intelligent to get it. Like the Marx brothers. I love it.

At the beginning of the Larry Sanders show, you know, we were grateful to get guests. At the end, it was as if we actually were The Tonight Show. People would come on, and it had the same sort of imprimatur as if we were on the air. I've been on a lot of talk shows during that time and since then, and people would come up in the dressing room or in the corridors and say, "You guys got it exactly right." Or they would say, "We have Larry Sanders moments every day."

I like working on one - camera. This is not false modesty, but I don't think I'm very good at three - camera. And it's not that I'm nervous, but I just sort of feel like my collar is too small, or my clothes don't fit. I don't understand what that is. And I don't understand the format: There's an audience in front of you that you're playing to, but there are also these cameras.

I think when I was a younger actor, I did carry that stuff home. When I did ...And Justice For All, I was afraid to drop the character. But when you get older, you learn to go, "Okay, that's it. Let's go have dinner."

All my roles are character roles. On the other hand, there are those people who have an inner...I think we all do the same thing. You can't get by on aura alone. That I know. Everyone has to dig in. Everyone has to do the same set of, "What is this about? What is this character doing?" Everybody from Spencer Tracy to Brad Pitt to Jeffrey Tambor.

I came to New York late; I was already past 30