I'm always looking for a nexus, where you can put all these diverse people together, see how they respond to one another, see what they learn about each other, and what they like and don't like.

I think it would be exhausting and depressing, to write, to watch and to live, if it was just focused on drama. It's heavy. Also, I think the humor really highlights the pathos and the struggle. You can slam it up against drama, and it makes both shine.

We watched these auditions and could only pick one. Sometimes we would add new characters 'cause we wanted to use another actress. There were so many people who were just waiting for something like this.

We fell in love with different people. Looking back, we might have done it in a different order, but we got invested. We really wanted to do the flashbacks because we wanted to explore who these women were on the outside versus the inside, and get a fuller picture of the masks we wear.

But if I had my way, there would be so much more, in everything. It's so vital and integral in life, and it should be reflected in what we're watching, if we're reflecting our experiences. And it's hot. I love the sex stuff, and I want more.

On the other hand, we worked a year on this and some people are going to watch it in a night and go, "We want more!" And there is something I miss about the longing and the anticipation for the next episode.

I'm always looking for those places where you can slam really disparate people up against one another, and they have to deal with each other. There are very few crossroads anymore. We talk about this country as this big melting pot, but it's a mosaic. There's all these pieces, they're next to each other, they're not necessarily mixing. And I'm looking for those spaces where people actually do mix.