Certainly my films are cinematically unusual, and quite contemplative in their pacing compared to conventional films, but I think overall they are quite engaging, accessible, and even funny.

I have always been interested in crafting films that use long, static urban landscape shots as a way of manipulating the emotions of the viewer and forcing them to slow down, which I think simultaneously makes them more vulnerable as spectators, and also puts them in a position of being more than just spectators.

I find that I always also manage to incorporate a simultaneous reflection on cinema history into my films.

I definitely find the technical aspects of post-production generally quite overwhelming.

Stop helping everyone else make their films, and enlist them to help you make yours. This is an exaggeration, but the point is - you are the one person who cares the most about your project, so you have to take the leadership in driving it forward.

It is vitally important that you prioritize your film and use your time and energy and resources to make it happen. Stop waiting for things to fall into place. Start doing things right now to make it happen.

While the creative aspects of my filmmaking style are challenging in their own ways, I have developed such confidence and passion over the years that it has become much easier.