I definitely find the technical aspects of post-production generally quite overwhelming.

I have always been interested in crafting films that use long, static urban landscape shots as a way of manipulating the emotions of the viewer and forcing them to slow down, which I think simultaneously makes them more vulnerable as spectators, and also puts them in a position of being more than just spectators.

I find that I always also manage to incorporate a simultaneous reflection on cinema history into my films.

It is vitally important that you prioritize your film and use your time and energy and resources to make it happen. Stop waiting for things to fall into place. Start doing things right now to make it happen.

My work is not for everyone, but I think if people give it a try, they may be surprised by how entertaining it is.

Stop helping everyone else make their films, and enlist them to help you make yours. This is an exaggeration, but the point is - you are the one person who cares the most about your project, so you have to take the leadership in driving it forward.

I think the biggest misconception about experimental film in general is that it is always difficult and inaccessible.