I've been making 16mm urban landscape films about San Francisco for many years. I choose different nonfiction themes to investigate and am generally interested in surfacing lesser-known histories. I like to investigate and illuminate these histories, combining them with my own unconventional storytelling style, which is generally a stream-of-consciousness voiceover involving a steady stream of personal reflections on pining over unavailable women.

I've been making 16mm urban landscape films about San Francisco for many years. I choose different nonfiction themes to investigate and am generally interested in surfacing lesser-known histories. I like to investigate and illuminate these histories, combining them with my own unconventional storytelling style, which is generally a stream-of-consciousness voiceover involving a steady stream of personal reflections on pining over unavailable women.

I want people to have a new way of looking at the world when they leave the theater.

Certainly my films are cinematically unusual, and quite contemplative in their pacing compared to conventional films, but I think overall they are quite engaging, accessible, and even funny.

Stop helping everyone else make their films, and enlist them to help you make yours. This is an exaggeration, but the point is - you are the one person who cares the most about your project, so you have to take the leadership in driving it forward.

I find that I always also manage to incorporate a simultaneous reflection on cinema history into my films.

It is vitally important that you prioritize your film and use your time and energy and resources to make it happen. Stop waiting for things to fall into place. Start doing things right now to make it happen.