For me, running is about freedom. I find that the freer I feel, the faster I am.

Compassion takes imagination.

By annihilating somebody else in whatever way, then that person feels that they also have the ability to, then, restore the person.

It doesn't seem as if there's that much of a difference between a big production and a little production, other than you have a smaller space in which to get dressed and you have a shorter waiting time.

It became very clear to the director that it would be foolish not to use our friendship. I had tried to talk to him about it because all the relationships in the film are so, not negative, but antagonistic. There's not a lot of love going around.

I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.

I think for me, when I'm looking at a script I really try to consider what experience am I embarking upon, because for me it's really about the experience.