The bottom line is that musicians love to make music and always will.

I've always been asked the question, "What is it with Australian men?" It's weird because most of my friends here [in the United States] are American men. I think there's cultural differences. It's a really American thing to kind of wax your chest. As a man it's like, "Get rid of that unsightly hair!" In Australia it's like, "Mate, what are you doing? Why would you do that? Doesn't that hurt?" So there's a few little differences that keep us.

But from the time I was very little, it was something I would do all the time, just sing, dance and act. So it wasn't something that was fake or contrived as I got older.

I love improv-ing, you know, from very early on when I started acting the school that I went to and everything was very big on ad-libbing and improv-ing and messing things up, so I feel very comfortable doing stuff like that.

We had our moment [with Marc Anthony] in the third or fourth year that we were married, when we did everything together: We did "El Cantante," we did the tour, we made all the music together, he produced my album [2007's Spanish-language "Como Ama una Mujer"]. That was a really beautiful time for us.

When it's easy, it's great. But when something bad happens is when you really learn. It causes self-examination, it causes you to take a look at yourself. You naturally start analyzing. It's not that you're wrong; it's that sometimes you just need to make adjustments.

I always knew I wanted to be a performer, and my mother started taking me to dance classes when I was five. My mother is a teacher, my father works at an insurance company. When I said I wanted to be a performer, people went, "Yeah, right." You don't do that where I come from.