Maybe it stems from my newspaper-reporting days, but I took notes the whole time - getting the call, how I felt. As soon as I put pen to paper, it became a story [Hunger Heart], not something happening to me but something I was recording.

My sense is that beautiful women are living in a different world than I am, and that it's a world with benefits but also drawbacks - like, you're on a ticking clock, because the day you stop being supermodel-beautiful is the day that everything the world has to offer you is no longer being offered.

They wouldn’t have believed me, and if they had they would have wanted me to explain. And I had no explanation, no answers. When you’re on a battleground, you don’t have the luxury of time to dwell on the various historical factors and sociopolitical influences that caused the war. You just keep your head down and try to survive it, to shove the pages back in the book, close the covers and pretend that nothing’s broken, nothing’s wrong.

Right now women are using surrogates because they can't be pregnant. What worries me is the possibility that soon they'll use surrogates because they don't want to be pregnant.

I have the best divorce of anyone I've heard of.

...thinking that the world was like an orange, that I could split it open with my thumbnail and find a whole different world, the grown-up world, the secrets beneath the skin.

Stephen King writes mass fiction but gets reviewed by the New York Times and writes for the New Yorker. Critics say to me, "Shut up and enjoy your money," and I think, OK, I'll shut up and enjoy my money, but why does Stephen King get to enjoy his money and get reviewed on the cover of the New York Times Sunday Book Review?