Maybe it stems from my newspaper-reporting days, but I took notes the whole time - getting the call, how I felt. As soon as I put pen to paper, it became a story [Hunger Heart], not something happening to me but something I was recording.

I could have told him that nothing was safe and that no matter how careful you were and how hard you tried, there were still accidents, hidden traps, and snares. You could get killed on an airplane or crossing the street. Your marriage could fall apart when you weren't looking; your husband could lose his job; our baby could get sick or die.

Things happen, and you can't make them unhappen. You don't get do-overs, you can't roll back the clock, and the only thing you can change, and the only thing it does any good to worry about, is how you let them affect you.

I can carry a tune with a three-note range. Once I'm out of that range, I'm in trouble.

It's as if the fasion designers decided that once a woman hit a certain weight, she'd have no need for business suits, for skirts and blazers, for anything except glorified sweatsuits, and they tried to apologize for dressing us like overaged Teletubbies by silk-screening daisies on the tops.

I didn’t feel anything but a bone-deep weariness. Like I was suddenly a hundred years old, and I knew at that moment I would have to live a hundred more years, carrying my grief around like a backpack full of stones.

I'm not cut out to be a famous person; I can't do my hair and makeup well enough.