I imagine horses in the engine, their manes flying, their breaths steaming, their nostrils flaring as they gallop.

As an actor I worked for seven years with a community theater company based in London. We used improvisation techniques to take stories to young people who wouldn't normally have access to them - in prisons, hospitals, young offender's units, youth clubs and housing estates.

We make patterns, we share moments. Sometimes, I think I'm the only one to see it.

I'm here, Tess. I'm right here, holding your hand. Adam's here, too, he's sitting on the other side of the bed. And Cal. Mum's on her way, she'll be just a minute. We all love you, Tessa. We're all right here with you.

Then she says, ‘I love you.’ Like three drops of blood falling onto snow.

Adam strokes my head, my face, he kisses my tears. We are blessed. Let them all go. The sound of a bird flying low across the garden. Then nothing. Nothing. A cloud passes. Nothing again. Light falls through the window, falls onto me, into me. Moments. All gathering towards this one.

The light is heart-breaking.