One of the glories and terrors of working in public is that you do see if your output means anything to anyone.
It's good to be employable, but I hope to show the truth. The paintings seem true because nobody wants me to do them.
Protect me from what I want.
When you start liking pain things start to get interesting.
A lot of professionals are crackpots.
I'm always trying to bring unusual content to a different audience - a non-art-world audience.