I've never been good at being nostalgic, and I've never been able to focus on sound without having a voice that's very here-and-now.

I took interest in Paris Hilton at one point and got fascinated with her voice.

When you're outside of genre, you can expose more vulnerability.

On an emotional level, I don't want to be a guide. I want people to hear things and experience them their own way.

I've always been a fan of reading art catalogues from exhibitions, and plays, and I've worked with a surrealist German playwright, Heiner Müller.

I really hated being the Norwegian girl in every single conversation in Australia, so I tried to make my Norwegian-ness invisible, speaking like whoever was around me.

I've never been good at being nostalgic, and I've never been able to focus on sound without having a voice that's very here-and-now.