I've never been good at being nostalgic, and I've never been able to focus on sound without having a voice that's very here-and-now.

I've never been good at being nostalgic, and I've never been able to focus on sound without having a voice that's very here-and-now.

I've always been a fan of reading art catalogues from exhibitions, and plays, and I've worked with a surrealist German playwright, Heiner Müller.

I've always been so interested in the way the body feels when singing or being on stage, or being in the audience for that matter. It doesn't have to be the typical "rock" experience. It can be so much more.

I'm obsessed with voices in film. I have this memory of how people say words, even on the most intensely stupid reality TV show.

I'm not trying to be a solution or create a freer, utopian world. I think my music dreams of it, though.

I couldn't even have a guitar. But I got a three-track recorder that was so small that I could take it with me. Then I started recording and writing properly. I recorded lots of voices, not just my own. I was interested in people speaking and singing English and trying out words.