I'm very interested in the visual world because I'm also very interested in feminism. I find that the world of watching takes us into the most psychotic state of, like, "You are this one person, but you have to become another person to see these images."

I've always been so interested in the way the body feels when singing or being on stage, or being in the audience for that matter. It doesn't have to be the typical "rock" experience. It can be so much more.

I remember being very, very aware of gender when I was really young. Not necessarily in a bad way. Maybe it's a little bit because I'm Norwegian and how I've been brought up.

I'm not in any way trying to make statements that are not also invaded by emotions and abstract ideas that I don't really understand myself. It's more interesting when I can do that.

I've always been a fan of reading art catalogues from exhibitions, and plays, and I've worked with a surrealist German playwright, Heiner Müller.

I've never been good at being nostalgic, and I've never been able to focus on sound without having a voice that's very here-and-now.

I'm inspired by that rawness in very direct communication. My work is not meant to keep people happy or give them an escape.