I've studied film a lot, so I know much more about film than music, but I don't think I could have made films.

I'm inspired by that rawness in very direct communication. My work is not meant to keep people happy or give them an escape.

I couldn't even have a guitar. But I got a three-track recorder that was so small that I could take it with me. Then I started recording and writing properly. I recorded lots of voices, not just my own. I was interested in people speaking and singing English and trying out words.

I'm always going back and forth between wanting to do stuff that's abstract and stuff that's just telling everybody to listen.

I remember being very, very aware of gender when I was really young. Not necessarily in a bad way. Maybe it's a little bit because I'm Norwegian and how I've been brought up.

When you're outside of genre, you can expose more vulnerability.

I'm not trying to be a solution or create a freer, utopian world. I think my music dreams of it, though.