I play a lot of characters where I don't even speak in my own voice. I learned about focus and I learned to trust that things can work when they're not heightened and that it's interesting when things are pared down.

I learned that I was able to focus. I've always thought of myself as somebody who is like either it's there or it isn't there. I really worked at this, and I focused, and I was able to replace self-doubt with focus. That was something new for me to say self-doubt is there, but it does not need to be in the front row. You can ask it to take a back seat and replace that front row seat with focus.

Infidelity is not freedom. It's a momentary respite from stressors that are going to come back.

A lot of times what's satisfying to me in comedy is when a woman successfully does self-care.

The thing that bubbles up the most when I'm around other people is that I feel a joy of being alive. But I also am a very sensitive person and have many heavier feelings. It can be tiresome after a while to only do comedy, especially after you grow as a person. It starts to feel like you're playing an older version of yourself.

I don't want to grow a thick skin. Some people say, "Oh, you're an actress, you have to get used to criticism." But I don't accept that. I'll never get used to criticism, and I'll always care about whether or not people like my performances - because I'm an entertainer, and I want to please.

I think the main thing that affected my comedy was that my dad slept in a nightgown for most of my childhood. And it was just very funny every single night and made me realize that laughter is fun and nightgowns are cool.