When I was between seven and 13, I hated music. I wasn't interested in music at all. I'd tried to listen to it just because all my friends were getting into pop music and everything, and I remember I just wasn't interested at all. I liked drawing and science.

Vocal arrangements are something I'm working a lot with for the new songs.

Actually, I caught myself thinking that I was hoping for someone to break into my apartment and steal my computer, or a big fire would take place in my apartment, or thinking of uninstalling my firewall so someone could hack into my computer. I just had all these dreams and eventually realized what I needed to do was delete the songs because I really wasn't happy with them. I needed a fresh beginning.

I could've written songs about, for example, the Paris attacks as they happened and have the song out the day after, but doing this project and following the news made me realize how much I miss deeper nuances in the news reporting. There's already so many quick opinions and angles being thrown in your face, so I avoided writing about things like that and tried focusing on the smaller, more seemingly insignificant things. The things you would find in the back of the newspaper or the back of your mind.

I realized I needed to work with other people instead of doing everything myself.

The beauty of the collage technique is that you're using sounds that have never met and were never supposed to meet. You introduce them to each other, at first they're a bit shy, clumsy, staring at their shoes. But you can sense there's something there. So you cut and paste a little bit and by the end of the song you can spot them in the corner, holding hands.

When I performed the songs in front of an audience at the end of each project and I knew the storytellers were in the crowd listening, that was hard.