I think nobody since has written such extraordinary work as Shakespeare writes. The characters he writes are full of inconsistencies, which is a great human quality - I mean we're all very inconsistent in the way we behave.

We all have our time machines. Some take us back, they're called memories. Some take us forward, they're called dreams.

And whenever I'm in a situation where I'm wearing the same as 600 other people and doing the same thing as 600 other people, looking back, I always found ways to make myself different, whether it be having a red lining inside of my jacket, having red shoes, it hasn't changed.

The great thing about acting is, because you're constantly playing other characters and exploring yourself because you have to find those other characters in yourself, you sort of broaden as a person over your life because you've been other people. So you can empathize with many different sorts of people. It's great in that way and I hope, therefore, as you get older as an actor, you not only get more interesting because you lived more, but you get a bit wiser as a person.

Mine is an actor's voice, not a singer's voice, but the part was written for an actor (Richard Burton), not a singer.

I certainly play people on the edge quite a lot. I am interested in what makes people odd and what makes them different. In life I try to play the edges. I have a horror of the herd. There are many, many different sorts of people. A lot of people are fairly uninteresting. I want to play the interesting ones. The villains are always more interesting to portray. Shakespeare knew that.

The fact is that in England so many of our politicians are career politicians - they've always been politicians since they left their education. And in the old days of course politicians used to be fish mongers or doctors or whatever. They'd lived life. These days, power seems to go to the hands of people that that's all they've done. And I'm not sure that's a good thing, because it does remove them from the realities of life.