There's too much down time making movies. That leads to boredom. And that leads to trouble.

You have a great road map when you play somebody that exists. That's the amazing thing. But then you have great limitations from that road map. It's hard to deviate from it creatively as an actor. It's like, "Oh wait, he'd never do that."

I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.

I have a bad sweet tooth. I'm pretty good when I have to eat well for work, but otherwise, I could eat a whole roll of raw cookie dough.

I like to play unpredictable characters, and I like to be unpredictable in what movie I'll do. I want to skip to work. I don't want to repeat anything. What the future holds, I don't know, but that's what I like. I'll take any risk there is.

I'm consciously aware, specifically with the comic book world, where there's a built-in fanbase. But, there's a little bit of leniency because there are a couple different universes.

We had tried to get a couple books that were written about Ray Kroc, and one of the books, we called the publisher. The publisher actually said, "Call McDonald."