Western ears have a hard time hearing anything that isn't in four-four time. A lot of cultures experience music in five-eight, for example, five-four.

Don't tell me this town 'aint got no heart

... Grateful Dead - that's it !! ... nobody in the band liked it, (the name) I didn't like it, either, but it got around that that was one of the candidates for our new name, and everyone else said, 'Yeah, that's great.' It turned out to be tremendously lucky. It's just repellent enough to filter curious onlookers and just quirky enough that parents don't like it.

You do not merely want to be considered just the best of the best. You want to be considered the only one who does what you do.

Western ears have a hard time hearing anything that isn't in four-four time. A lot of cultures experience music in five-eight, for example, five-four.

The information is there, you may not perceive it, but it does affect the lower orders. There are places where it just peaks out. It is like the color spectrum, it just simply goes beyond where you can perceive it any more but it is still going on. If you decide that the invisible continuation of the color spectrum is important to your sense of what reality is about, then you would want to extend it. Extend it as far as you could, as an aesthetic.

Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.