I recognize that as a musician there is a certain chauvinism attached to it, which is the thing of, "I spent my time learning how to play. You didn't spend time learning how to play, therefore, you are not a musician."

... We have quite a large area, and that makes it more fun for us - certainly more satisfying, because it doesn't restrict us to one particular idea or one particular style. The result, I think, is pretty interesting ... we don't expect to make a fortune at it or ever be popular or famous or worshipped or hit The Ed Sullivan Show or the circuses or the big top. As long as we can play, we'll play, regardless of what it's for, who it's for or anything. It's fun for us - that's the important thing.

It's much too late to do anything about rock & roll now.

You reach into cyberspace and you grab some cyber stuff, build it up, and the computer will give you a 360 of it.

Either you were a hoodlum, or you were a puddle on the sidewalk.

The thing of being able to share somebody's reality, which has so far been a matter of what communication is about, you know. Now it has gotten a whole new leg. It has gotten a thing of being able to actually step in somebody's reality and walk through it like they do, experience it the way they do, specifically. The implications, to me, are immense. I mean, how far can it go? If you go into a complete, like a cyberspace model of some type, in which... you know the discussion about the mind and the interaction between the mind and the universe as a holographic phenomenon.

Run faster, jump higher, reach farther, and you'll always win! live life expecting the worst, hoping for the best, and living for the future! Somebody has to do something, and it's just incredibly pathetic that it has to be us.