I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material.

We didn't invent the Grateful Dead, the crowd invented the Grateful Dead. We were just in line to see what was going to happen.

Cats on the bandstand, give them each a big hand, anyone who sweats like that must be all right.

The thing of being able to share somebody's reality, which has so far been a matter of what communication is about, you know. Now it has gotten a whole new leg. It has gotten a thing of being able to actually step in somebody's reality and walk through it like they do, experience it the way they do, specifically. The implications, to me, are immense. I mean, how far can it go? If you go into a complete, like a cyberspace model of some type, in which... you know the discussion about the mind and the interaction between the mind and the universe as a holographic phenomenon.

It's odd that there is a high level of appreciation of nature. There is the aesthetic side that really loves nature and beauty.

As a musician you fall into certain patterns that you're not conscious of, unless you start listening to yourself on tape a lot. If you do that you start recognizing habits; then you have to try and break them.

Listen to the river sing sweet songs to rock my soul.