I mean, whatever kills you kills you, and your death is authentic no matter how you die.

Things come up from the outside, the outside world says, okay, you have do this, you have to go here and here and here, and these are your options. You can be here or you can be here. You can do this, or you can do this. You can go here, or you can go there. So each one of those things becomes a place of decision, and the way we make decisions is that we all get together and if somebody doesn't feel right about it or it doesn't seem to sit right, usually we'll go with the no vote. If somebody's not comfortable with it, we'll figure it's not going to be worth doing.

We're not uncomfortable with it, and we've already been through enough of the music business where I'm not really worried that commercial success is going to in some way - we're already past saving, you know what I mean? It's too late for us.

If you think of music as a language, the space part is where you throw out all the syntax.

If you are picking the lesser of two evils, you are still picking Evil.

I Don't Think There's A Good Excuse For Being Unhappy. I'm Not Particularly Unhappy, But I Know What Pain Is. I think That Life Is Characterized By Pain, Partly. Part Of The Way You Can Tell You're Alive Is By How Much Pain You're Experiencing, Or How Little.

Each person makes their own decision about what it is that is happening, whether they like it or don't like it, whether they want to lend their energy to it or not or what, you know.