There's probably more of a struggle to get material and narratives published that really speak to black culture. And that has a lot to do with the mergers and buyouts and the corporations being more in control of the purse strings. We find that the projects have to come with higher expectations rather than books that just should be published. That's disturbing because we might find fewer and fewer children's books by African Americans or with black cultural themes.

Make it all about the work. Everything else will follow.

A sense of community has always been important to me. I understood very early that I could not grow as an artist or as a person without being connected to institutions and clients that served the community.

Receiving both the Coretta Scott King - Virginia Hamilton Award for Lifetime Achievement and the Laura Ingalls Wilder Award suggests I have succeeded, at least in terms of my own goals, in my intent to make art that moves children.

African American writers and artists, by the very nature of what they do, will actually enhance or bring together people in a way that might be very, very healthy.

Though the blame cannot be placed entirely on publishers, I do think a more diverse pool of editors would go a long way toward broadening the perspective. Our role is to work together to create books that act as wide-open doors - books that allow all children to walk through and feel safe enough to stay.

I do think it's important to expose kids to artists.