I've tried to use the recognition as validation that I'm doing the kind of work that people are interested in and to feel that my work is a contribution.

Part of what I'm doing with generations is that I try to express in my work pieces of my growing up years that I can look back on with great fondness - specifically, a sense of family.

I feel the calmest when I'm drawing or when I'm creating images. I love connecting the mind with the hand and producing something - that is very comforting and centering for me.

I never demonstrate how art should be made or what the outcome should look like. Instead, give kids the tools and the materials to make their own art. Have them experience the process.

I like to talk about my challenges as they relate to all of us, and I try to leave them with a sense of what it feels like to succeed at something and to arrive at a goal. I talk a lot about finding that thing that you feel is important to you, that's your calling, and about the reward you will get from staying with it, no matter what the challenges are.

The process of creating art allows me to learn about the subject I'm illustrating. So, if I want to learn more about plantation life and slavery, I try to find clients that will give me an opportunity to work on projects that will visualize those experiences of the enslaved African and people of color. I get to learn about my roots, and my artwork allows the reader into that world by creating images that are accessible.

Drawing creates its own kind of private space. Coupled with certain interests that I want to speak to in my art, it's really kind of a safe haven for me. Creating art is not only a comfort zone, but also a way of speaking to my passions.