Receiving both the Coretta Scott King - Virginia Hamilton Award for Lifetime Achievement and the Laura Ingalls Wilder Award suggests I have succeeded, at least in terms of my own goals, in my intent to make art that moves children.

Part of what I'm doing with generations is that I try to express in my work pieces of my growing up years that I can look back on with great fondness - specifically, a sense of family.

I like to talk about my challenges as they relate to all of us, and I try to leave them with a sense of what it feels like to succeed at something and to arrive at a goal. I talk a lot about finding that thing that you feel is important to you, that's your calling, and about the reward you will get from staying with it, no matter what the challenges are.

I visited the Museum of Modern Art and viewed the exhibition of Picasso's sculptures, and I couldn't help but think about what it would be like to have a room full of school children explore Picasso's approach to making art.

There's probably more of a struggle to get material and narratives published that really speak to black culture. And that has a lot to do with the mergers and buyouts and the corporations being more in control of the purse strings. We find that the projects have to come with higher expectations rather than books that just should be published. That's disturbing because we might find fewer and fewer children's books by African Americans or with black cultural themes.

If you do the best work you can, the reward is ultimately your self-satisfaction - the sense that you have done the best you can. And then there's that piece of how others respond.

I feel the calmest when I'm drawing or when I'm creating images. I love connecting the mind with the hand and producing something - that is very comforting and centering for me.