Well, I do think, particularly the way I work, the better images occur when you're moving to the fringes of your own understanding. That's where self-doubt and risk taking are likely to occur. It's when you trust what's happening at a non-intellectual non-conscious level that you can produce work that later resonates, often in a way that you can't articulate a response to.

Let us not be afraid to allow for post-visualization. By post-visualization I refer to the willingness on the part of the photographer to revisualize the final image at any point in the entire photographic process.

Editions made sense when people worked with engravings where the plate wore down as prints were made. An early number of the edition had slightly better quality. But that's not the case with photography. To me, it's a false way of creating value.

I have gradually confused photography and life and as a result of this I believe I am able to work out of myself at an almost precognitive level.

Photography is just light remembering itself.

I try to begin working with no preconceived ideas.

The anticipation of discovering new possibilities becomes my greatest joy.