Well, I do think, particularly the way I work, the better images occur when you're moving to the fringes of your own understanding. That's where self-doubt and risk taking are likely to occur. It's when you trust what's happening at a non-intellectual non-conscious level that you can produce work that later resonates, often in a way that you can't articulate a response to.

The goal of the artist is not to resolve life's mysteries, but to deepen them.

It is the illusion of knowledge, not ignorance, that keeps one from growing.

I try to begin working with no preconceived ideas.

The camera is a fluid way of encountering that other reality

I'm really very concerned with helping to create an attitude of freedom and daring toward the craft of photography.

I've learned over the years that when you get a clue to another possibility to follow it through.