It's equally hard and labor intensive to create an image on the computer as it is in a darkroom. Believe me.

I've learned over the years that when you get a clue to another possibility to follow it through.

It's equally hard and labor intensive to create an image on the computer as it is in a darkroom. Believe me.

The camera is a fluid way of encountering that other reality

Well, I do think, particularly the way I work, the better images occur when you're moving to the fringes of your own understanding. That's where self-doubt and risk taking are likely to occur. It's when you trust what's happening at a non-intellectual non-conscious level that you can produce work that later resonates, often in a way that you can't articulate a response to.

It is the illusion of knowledge, not ignorance, that keeps one from growing.

Of course, in order to make art, the frustration of not working has to be greater than the frustration of working.