When you are nice to people, they bring their A-game.

I would do Winnie the Pooh. We would live in the tree house. We would hunt for honey.

I can't handle my own voice, even hearing it echoing on a cell phone. It's horrible.

And there's even a lord named Lord Dashwood [like the characters in Jane Austen's Sense and Sensibility]. It's very steeped in Austen. It's been used in many films, but not in its entirety and we shot the inside and the outside and used every nook and cranny. The inside is very gaudy. It's a little naughty inside. There's a lot of portraiture.

I met Shannon Hale through some friends and family. I was interested in her book called Princess Academy, which is just a very sweet, Newbery-nominated fairy tale for young readers. She was like, "Oh, actually I have something else for you." She gave me Austenland. The next morning, I'm sure I called her and I was like, "Let's make this movie." It is so fun. It just felt so girly and great and a great vehicle for the weird Hess comedy.

It was shocking to see a leg! You've never seen a leg in these stories. We made it a little saloon girl. We played up on many elements because everything is just very covered and the tights are very thick and heavy. And then to have it all fell apart, absolutely, we wanted to see the leg!

I never think of myself as different from anyone else.