And there's even a lord named Lord Dashwood [like the characters in Jane Austen's Sense and Sensibility]. It's very steeped in Austen. It's been used in many films, but not in its entirety and we shot the inside and the outside and used every nook and cranny. The inside is very gaudy. It's a little naughty inside. There's a lot of portraiture.

And our experience in England was that. It was a delight. I had never even been to England and I got to spend five months there in a beautiful estate and just party with these gorgeous men and women and poke fun at their beloved genre, which they all loved. We teased it, but it's so gentle, that you're still swept away the whole time.

I would do Winnie the Pooh. We would live in the tree house. We would hunt for honey.

I never think of myself as different from anyone else.

I don't have to do much. What I was surprised at and the challenge was that dealing with an ensemble cast who are in scenes together everyday all day, that is a challenge. It's a challenge to make sure everyone get as much coverage and attention, it got just kind of competitive. I loved it because it made it funnier, but the improv went nuts. People were like, "Oh wait. I have something better to say." "Now, I'm going to say..."

Editing was hard for me. It was hard to be in a room by yourself and not have that collaborative spirit. Comedies are really tight and timing is everything.

It got hard to juggle the funny on set and then even harder in post-production.