I think that we need to be more aware of how we are all interconnected, and how we actually need to invest in safety nets and in education, and that we need to come to the realization that health care is a human right and try to provide that for people.

I'm not saying I have to write a book that's ten times better than my counterparts, but I do think that I have to concentrate my efforts on writing something that will really engage people's humanity and will tie readers to my characters regardless of race. I have to prove that I can connect with a wider audience.

I consider myself a progressive, so my answer would be that we need to be progressive. For some reason the people in power in Mississippi still seem to be invested in these very American myths."The individual is alone." "We pull ourselves up by our bootstraps." "We create success for ourselves, and if we work hard enough then we will succeed and have success beyond our wildest dreams." I think that we need to do away with that kind of thinking and be more aware of history and how the history of this place bears in the present and how it affects people.

When I was writing the memoir, every page was a battle with myself because I knew I had to tell the truth. That's what the memoir form demands. I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism.

I think that we need to be more aware of how we are all interconnected, and how we actually need to invest in safety nets and in education, and that we need to come to the realization that health care is a human right and try to provide that for people.

Living in the rural South, you sometimes feel trapped, like you don't have any options. It grinds people down, and of course it leads to substance abuse. I see it all around me. So many people in my family, probably more than 50 percent, have had substance abuse problems, either currently or in the past. It's so personal and immediate to me.

I want each character to be as unique as possible. I want them to reflect something of who they are in the way that they move and in how their bodies work. That was foremost in my head when I was writing Salvage: I wanted every gesture, every little movement, to really carry meaning and communicate meaning to the reader. I was very conscious of that when I was writing.