While I've said that there are plenty of things I dislike about the South, I can be clear that there are things I love about the South.

Speaking specifically about the memoir, I know that's a criticism that people can have about my work. When I look at the young men's lives, if they're reduced to the worst thing they've done, then it's easy for them to become a stereotype. I keep running into that with newspaper articles that are very short.

I think that I'm trying to hopefully change my children's ideas about what is possible, and about what is possible for them.

I've also never written about home in this way before. I guess a lot of it is subconscious and I am intuitively making these decisions when I'm writing. I wanted to communicate in the book that on one hand, being at home - both in our homes and in DeLisle - gives us a sense of belonging and family and safety, but at the same time, being in those places makes us less safe.

There are things about the South - the politics, the classism, the racism - that I hate, and I want to be here to fight those things. I don't want to be in California or Michigan just complaining about them. I'm here trying to make a difference in the way I can, writing about it. And I want younger people, especially kids from my community, to see that being successful doesn't have to mean leaving a place like this. You don't have to trade in your family or your sense of belonging for that.

Living in the rural South, you sometimes feel trapped, like you don't have any options. It grinds people down, and of course it leads to substance abuse. I see it all around me. So many people in my family, probably more than 50 percent, have had substance abuse problems, either currently or in the past. It's so personal and immediate to me.

That's why I write fiction, because I want to write these stories that people will read and find universal.