I felt like if I didn't write about what happened to the young men here in the South of America, the same things would keep occurring. Here in the South, young black men just keep dying - young black women, too. I couldn't live with myself if I hadn't been as honest as possible about that.
Jesmyn WardMy understanding of voodoo is that it was important to the people who practiced it because it helped them survive. There are practical ways it enabled survival. It used herbal medicine to heal, to aid in childbirth. It was a spiritual system. It made room for hope and for magic and for possibility. For people who struggle and fight to survive and who fight to live, those are really important things.
Jesmyn WardI feel like if you aren't honest and if you don't let go and ease up off of the narrator, then the story doesn't take up a life of its own, and the characters can't take up a life of their own. You handicap the story when you try to protect your characters.
Jesmyn WardI wrote the first draft of my first novel at Michigan, and then I wrote the first draft of 'Salvage the Bones' at Stanford. So I workshopped the entire thing.
Jesmyn WardBlack people in the US are told all the time, from all aspects, that they're nothing, that they're less than. And of course that bears fruit, but no one wants to shoulder part of the blame. A lot of people here can't see around their own family's history. They don't want to see that where they come from and the people they surround themselves with might have played a role in all this. This is all part of our national myth about the individual. We think that a lack of success comes from the individual not working hard enough. A lot of people in this country really believe that.
Jesmyn WardI was thinking about the difference in voice between the different characters. Each voice has to be unique. Hypothetically you should be able to read each chapter without the heading that tells you who is telling the story.
Jesmyn WardI'm writing about the things I see all around me. Growing up in Mississippi, I've seen how these backward ideas about class and race and healthcare and education and housing and racism impact everyday lives. For example, my mother wouldn't let me go to my homecoming dance because the yacht club where they were having the dance threw a fundraiser for David Duke, an ex-Klan member, when he was running for governor of Louisiana. So I grew up seeing how personal politics could be.
Jesmyn Ward