I felt like if I didn't write about what happened to the young men here in the South of America, the same things would keep occurring. Here in the South, young black men just keep dying - young black women, too. I couldn't live with myself if I hadn't been as honest as possible about that.

I wrote the first draft of my first novel at Michigan, and then I wrote the first draft of 'Salvage the Bones' at Stanford. So I workshopped the entire thing.

When I was writing the memoir, every page was a battle with myself because I knew I had to tell the truth. That's what the memoir form demands. I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism.

Black people in the US are told all the time, from all aspects, that they're nothing, that they're less than. And of course that bears fruit, but no one wants to shoulder part of the blame. A lot of people here can't see around their own family's history. They don't want to see that where they come from and the people they surround themselves with might have played a role in all this. This is all part of our national myth about the individual. We think that a lack of success comes from the individual not working hard enough. A lot of people in this country really believe that.

That's why I write fiction, because I want to write these stories that people will read and find universal.

I feel like if you aren't honest and if you don't let go and ease up off of the narrator, then the story doesn't take up a life of its own, and the characters can't take up a life of their own. You handicap the story when you try to protect your characters.

I'm not saying I have to write a book that's ten times better than my counterparts, but I do think that I have to concentrate my efforts on writing something that will really engage people's humanity and will tie readers to my characters regardless of race. I have to prove that I can connect with a wider audience.